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Please use this identifier to cite or link to this item:
http://ir.library.ui.edu.ng/handle/123456789/5476Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Layiwola, D.. | - |
| dc.date.accessioned | 2021-09-08T10:37:15Z | - |
| dc.date.available | 2021-09-08T10:37:15Z | - |
| dc.date.issued | 1992 | - |
| dc.identifier.isbn | 0-86140-339-8 | - |
| dc.identifier.other | ui_inbk_layiwola_samuel_1992 | - |
| dc.identifier.uri | http://ir.library.ui.edu.ng/handle/123456789/5476 | - |
| dc.description | In: J. McMinn(ed) The internationalism of Irish literature and drama, Irish Literary Studies 41 : Colin Smythe, 1992. Pp. 75 - 86 | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | Colin Smythe | en_US |
| dc.relation.ispartofseries | Irish Literary Studies 41; | - |
| dc.title | Samuel Beckett and the theatre of deconstruction: an exegesis on form | en_US |
| dc.type | Book chapter | en_US |
| Appears in Collections: | Scholarly Works | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| (4)ui_inbk_layiwola_samuel_1992.pdf | 3.79 MB | Adobe PDF |  View/Open |
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