Please use this identifier to cite or link to this item: http://ir.library.ui.edu.ng/handle/123456789/5761
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dc.contributor.authorAguoru, D.-
dc.date.accessioned2021-12-29T12:39:26Z-
dc.date.available2021-12-29T12:39:26Z-
dc.date.issued2016-
dc.identifier.issn0189-6253-
dc.identifier.otherui_art_aguoru_ulli_2016-
dc.identifier.otherIbadan Journal of English Studies 12, pp. 176-189-
dc.identifier.urihttp://ir.library.ui.edu.ng/handle/123456789/5761-
dc.description.abstractUlli Beier's attachment to the arts and the peoples of Nigeria is in itself unique. His choices, in association, research and artistic efforts portray this in an unequivocal manner. Obotunde Ijimere, another of Beier's creations, is the author of The Imprisonment of Obatala. This study examines the posture and the context in which Beier perceives the Yoruba, his involvement with the people's theopanic visions and the significance of the experiences to his work in Nigeria.en_US
dc.language.isoenen_US
dc.publisherDepartment of English, University of Ibadan, Ibadan, Nigeriaen_US
dc.subjectUlli Beieren_US
dc.subjectTheopanyen_US
dc.subjectOrisasen_US
dc.subjectArchetypesen_US
dc.titleUlli beier, Obotunde Ijimere and Theopaneia in the imprisonment of Obatalaen_US
dc.typeArticleen_US
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