Please use this identifier to cite or link to this item: http://ir.library.ui.edu.ng/handle/123456789/9019
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dc.contributor.authorAkangbe, C. A.-
dc.date.accessioned2024-04-23T14:46:31Z-
dc.date.available2024-04-23T14:46:31Z-
dc.date.issued2018-06-
dc.identifier.isbn978-99919-76-52-5-
dc.identifier.otherui_inbk_akangbe_yoruba_2018-
dc.identifier.otherIn: Koumakpai, T., Alabi, T. A., Kodjo Sonou, T. G., Olatunji, S. O. and Ojongnkpot, C. (eds.) Language and Literature for Communication in Human Societies: Papers in Honour of Late Dr Elisabeth Amegah De Campos, pp. 70-93-
dc.identifier.urihttp://ir.library.ui.edu.ng/handle/123456789/9019-
dc.description.abstractPhotoplay magazine was a veritable media of dramatic production for Yoruba theatre practitioners in South-West Nigeria between 1967 and 1991. It was a secondary media of production as the plays published in photoplay magazines were first usually produced on stage, which is the primary home and the homing ground of drama. Atoka was the first and the prime of all photoplay magazines that existed in Yoruba. This paper focuses on the principal arts of photoplay which are dramatic arts, photographic arts and publishing arts. Employing the theory of New Historicism, this study traces the evolution of Atoka photoplay magazine; identifies the three- modal arts of Atoka; examines the concept, constituents and interrelationship of these arts and their impact on the overall success of the magazine as a publication.en_US
dc.language.isoenen_US
dc.publisherCentre Universitaire de Recherche et d’Etudes de Langues (CUREL), Institut Universitaire Panafricain, Porto-Novo, and Linguistic Immersion Centre for Foreign Students, University of Ilorin, Kwara State, Nigeriaen_US
dc.subjectYoruba Photoplay Magazineen_US
dc.subjectThree-Modal Artsen_US
dc.subjectAtokaen_US
dc.titleYorùbá photoplay magazine as a three-modal arts – the atọ́ka exampleen_US
dc.typeBook chapteren_US
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